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    <loc>http://www.caitlinchaisson.com/about-avenue</loc>
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    <lastmod>2023-09-10</lastmod>
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    <lastmod>2020-07-07</lastmod>
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    <loc>http://www.caitlinchaisson.com/far-afield</loc>
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    <lastmod>2023-03-16</lastmod>
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      <image:title>Far Afield, Director and Curator</image:title>
      <image:caption>Documentation from the performance Inside the Day was Night (2017) with Liljana Mead Martin. Salt Spring Island, BC.</image:caption>
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    <loc>http://www.caitlinchaisson.com/anne-low</loc>
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    <lastmod>2020-11-16</lastmod>
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      <image:title>Anne Low: Chair for a woman</image:title>
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      <image:title>Anne Low: Chair for a woman</image:title>
      <image:caption>Anne Low. Installation view from Chair for a woman. Contemporary Art Gallery (Vancouver). January 18 - March 24, 2019. Photography by SITE Photography.</image:caption>
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  <url>
    <loc>http://www.caitlinchaisson.com/persons-in-the-presence-of-a-metamorphosis</loc>
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    <lastmod>2023-03-16</lastmod>
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      <image:title>Persons in the Presence of a Metamorphosis, Co-Curator</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/556bb123e4b07e55e36b3a90/1594060533088-KRN41JPJTIRKY6W9HCHF/PERSONS_PRESENCE_042.jpg</image:loc>
      <image:title>Persons in the Presence of a Metamorphosis, Co-Curator</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/556bb123e4b07e55e36b3a90/1594060227359-57WUTNSSFB4LNDZ2I1WP/PERSONS_PRESENCE_002.jpg</image:loc>
      <image:title>Persons in the Presence of a Metamorphosis, Co-Curator</image:title>
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  <url>
    <loc>http://www.caitlinchaisson.com/we-built-a-house-out-of-things</loc>
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    <lastmod>2020-07-06</lastmod>
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      <image:title>We Built a House out of the Things We Had Gathered</image:title>
      <image:caption>Leya Tess. They took all the Agates away from Agate Beach, 2018. Ink on found map, 42 x 32 inches. From the exhibition We Built a House Out of the Things We Had Gathered. Photo: Dennis Ha.</image:caption>
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  <url>
    <loc>http://www.caitlinchaisson.com/ann-beam-and-carl-beam</loc>
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    <lastmod>2020-07-06</lastmod>
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      <image:title>Ann Beam and Carl Beam: Spaces for Reading</image:title>
      <image:caption>Installation view of "Ann Beam and Carl Beam: Spaces for Reading" at SFU Gallery, 2019. Photo: Blaine Campbell.</image:caption>
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  <url>
    <loc>http://www.caitlinchaisson.com/rachel-harrison-no-laughing-matter</loc>
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    <priority>0.75</priority>
    <lastmod>2022-03-20</lastmod>
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      <image:title>Rachel Harrison: No Laughing Matter</image:title>
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    <image:image>
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      <image:title>Rachel Harrison: No Laughing Matter</image:title>
      <image:caption>Rachel Harrison. Should home windows or shutters be required to withstand a direct hit from an eight-foot-long two-by-four shot from a cannon at 34 miles an hour, without creating a hole big enough to let through a three-inch sphere?. 1996 / 2019. Pig­mented inkjet prints on paper, polyester fabric and wood; eight sculptures (wood, papier-mache, spray foam, socks, acrylic, cans of peas and electric can opener); wooden veneer panels; cans of peas; 18 chromogenic prints. Installation view from Rachel Harrison Life Hack, 2019. Whitney Museum of American Art, New York City. Photo by Corrado Serra.</image:caption>
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  <url>
    <loc>http://www.caitlinchaisson.com/genevieve-robertson-and-even-dust-can-burst-into-flames</loc>
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    <priority>0.75</priority>
    <lastmod>2022-03-20</lastmod>
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      <image:title>Genevieve Robertson: And Even Dust Can Burst Into Flames</image:title>
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    <image:image>
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      <image:title>Genevieve Robertson: And Even Dust Can Burst Into Flames</image:title>
      <image:caption>Genevieve Robertson. Carbon Studies: Walking in the Dark. 2019. Detail of Lichen. Photo courtesy of Rachel Topham.</image:caption>
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  <url>
    <loc>http://www.caitlinchaisson.com/while-the-underground-flickers</loc>
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    <priority>0.75</priority>
    <lastmod>2023-11-07</lastmod>
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      <image:title>While the Underground Flickers, Curator</image:title>
      <image:caption>Installation view from While the Underground Flickers, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, April 3 to May 30, 2021. Master’s thesis exhibition curated by Caitlin Chaisson. Photo: Olympia Shannon 2021.</image:caption>
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  <url>
    <loc>http://www.caitlinchaisson.com/gabrielle-lhirondelle-hill</loc>
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    <priority>0.75</priority>
    <lastmod>2022-03-20</lastmod>
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      <image:title>Gabrielle L'Hirondelle Hill - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/556bb123e4b07e55e36b3a90/1642271796957-NKI0O8TYO8O58VHYOF87/image-asset.jpeg</image:loc>
      <image:title>Gabrielle L'Hirondelle Hill</image:title>
      <image:caption>Gabrielle L’Hirondelle Hill. Counterblaste. 2021. Pantyhose, tobacco, thread, charms, plastic flowers, dried flowers, earring beaded by Cheryl L’Hirondelle, running shoes, beads, rabbit fur earrings, and nail polish. Photo courtesy of Denis Gutiérrez-Ogrinc.</image:caption>
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  <url>
    <loc>http://www.caitlinchaisson.com/forge-project</loc>
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    <priority>0.75</priority>
    <lastmod>2022-03-20</lastmod>
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      <image:title>Forge Project</image:title>
      <image:caption>[Left] Paintings by Gigaemi Kukwits (top), sculpture by Judy Chartrand (middle), and drawings by Rachel Martin (bottom). [Right] Bedroom view from the top floor of the Forge Project home. Photos courtesy of Denis Gutiérrez-Ogrinc.</image:caption>
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      <image:title>Forge Project - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>http://www.caitlinchaisson.com/forge-project-1</loc>
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    <priority>0.75</priority>
    <lastmod>2023-03-12</lastmod>
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      <image:title>Rose B. Simpson - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/556bb123e4b07e55e36b3a90/280c79ec-7e86-4016-ae5c-9e88e8882ecf/image-asset.png</image:loc>
      <image:title>Rose B. Simpson</image:title>
      <image:caption>Rose B. Simpson, Legacies, 2022, exhibition view at Institute of Contemporary Art Boston.</image:caption>
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  <url>
    <loc>http://www.caitlinchaisson.com/forge-project-1-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-03-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/556bb123e4b07e55e36b3a90/6e261894-22e1-40a3-b35c-669beb839377/Cover_frieze233.png</image:loc>
      <image:title>Karrabing - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/556bb123e4b07e55e36b3a90/b4f35255-0fd1-42a7-8f97-3feea449f271/Screen+Shot+2023-03-12+at+12.11.52+PM.png</image:loc>
      <image:title>Karrabing</image:title>
      <image:caption>Karrabing Film Collective, The Family and the Zombie, 2021, film still.</image:caption>
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  <url>
    <loc>http://www.caitlinchaisson.com/fernanda-laguna-the-path-of-the-heart-curatorial-assistant</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-08-22</lastmod>
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      <image:title>Fernanda Laguna: The Path of the Heart, Curatorial Fellow</image:title>
      <image:caption>Installation view, photo by Daniel Terna.</image:caption>
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  <url>
    <loc>http://www.caitlinchaisson.com/drawing-in-the-continuous-present-curatorial-research-fellow</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-08-22</lastmod>
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      <image:title>Drawing in the Continuous Present, Curatorial Fellow</image:title>
      <image:caption>Installation view, photo by Daniel Terna.</image:caption>
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  <url>
    <loc>http://www.caitlinchaisson.com/jaune-quicktosee-smith-memory-map-curatorial-assistant</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/556bb123e4b07e55e36b3a90/1692626549880-3P8P36R9WBGJLNRDXU0P/Screen+Shot+2023-08-21+at+10.01.40+AM.png</image:loc>
      <image:title>Jaune Quick-to-See Smith: Memory Map, Curatorial Assistant</image:title>
      <image:caption>Installation view of Jaune Quick-to-See Smith: Memory Map (Whitney Museum of American Art, New York, April 19-August 13, 2023). From left to right: Trade (Gifts for Trading Land with White People), 1992; The Rancher, 2002; Jaune Quick-to-See Smith and Neal Ambrose-Smith, Trade Canoe: Making Medicine, 2018; Tonto and the Lone Ranger Series, all 2002; The Vanishing American, 1994; The Vanishing White Man, 1992. Photograph by Ron Amstutz</image:caption>
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  <url>
    <loc>http://www.caitlinchaisson.com/the-house-edge-curator</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-08-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/556bb123e4b07e55e36b3a90/1699359184415-TWGT9OIPILX1U3AB1KK9/Screen+Shot+2023-11-07+at+7.12.37+AM.png</image:loc>
      <image:title>The House Edge, Curator</image:title>
      <image:caption>Installation view of The House Edge at The 8th Floor, September 2023. Featuring (left to right) David Bradley, Sleeping Indian, Shiprock/Santa Fe, 2008; Joe Feddersen, Bingo, 2017; G. Peter Jemison, Choices—Great Law or Gambling?, 1998 and 2006; G. Peter Jemison, Seneca Lands Defend, 2022; Jim Denomie, The National Anthem, 1997-2000; David Bradley, Indian Heroes Series: Sitting Bull, 1995. Photograph by Adam Reich</image:caption>
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  <url>
    <loc>http://www.caitlinchaisson.com/thomas-schuette</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-11-17</lastmod>
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      <image:title>Thomas Schütte</image:title>
      <image:caption>Installation view of Thomas Schütte at The Museum of Modern Art, New York from September 29, 2024 through January 18, 2025. Photo: Jonathan Dorado. © 2024 Thomas Schütte / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn</image:caption>
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